Station #6, 'Veronica wipes the face of Jesus'
Preached in Bow Bells Churchyard
The world
has long divided over the question
of whether it is honouring or
displeasing to God,
to represent him through image or
statue.
We find
this debate played out in the icons of orthodox Christianity
and
the artwork of Roman Catholicism,
we find it in the iconoclasts of the
Puritan era,
and
we find it in the prohibitions against idolatry in Islam.
The
recent murder of journalists and artists
at the offices of the French satirical
magazine Charlie Hebdo
are a
twenty first century expression of this same controversy,
and the question remains before us
still
of where we are to look, to see the
image of God.
Some look
to the heavens, to the furthest reaches of the cosmos,
others plumb the mysterious depths of
the atom.
And
whilst our most gifted scientists have great success
at thinking God’s thoughts after him,
and
whilst it is certainly true that the created order
bears the imprint of the creator,
the
transcendent other remains yet veiled in mystery.
And so we
come to Veronica,
the apocryphal woman who wiped the
face of Jesus with her veil,
and found the imprint of his features
on the cloth in her hand.
The
insight of the legend of Veronica
is that if you want to know what God
looks like,
you need
look no further than the image imprinted on her veil –
the image of the invisible God - is
revealed in the face of a man.
This is,
of course, the foundational insight of Genesis
and it is echoed in the person of
Christ ;
- the
image of God is made flesh in human flesh,
with each created person bearing the
likeness of the creator.
If you want to truly know what God looks like,
don’t look at an idol, or
a statue, or a picture.
Rather, look at your neighbor, look at yourself,
because we humans are
made in the image of God.
Not only do we share common humanity with the victims of Paris,
but we bear the imprint
of the divine,
we are each made in the
image of God.
And this is true of us all, from satirist to terrorist.
Jesus,
the son of Man, is the embodiment of God,
In Jesus, the great I Am of the Jewish faith
declares not just je
suis Charlie
but je suis homme,
‘I am man’.
In the person of the Son of Man
God undertakes the
ultimate act of solidarity with humanity.
The offensive image here
is not some cartoon
representation of the divine
in defiance of
those who would see such a move as sacrilegious,
but an incarnation of the
divine in human flesh,
a rendering of
God himself in the body of a man.
And it is this man who joins us all on the path to death,
who carries his cross in
full identification with each mortal soul.
In a world where so many would seek to control God
by declaring that it is
their responsibility
to speak on his
behalf,
to defend his
honor,
and to police
his image,
the image of God in the life of humanity
offers us a powerful
counter testimony,
where God takes the ultimate risk, again and again;
every time a human being
is born,
recommitting
himself to the stuff of creation,
for better or
for worse;
always seeking to bring good from the chaos of the world,
and light to the darkness
of our lives.
This is Good in human form,
in solidarity with the
worst of sinners,
even and
including those who would take up Guns in a Parisian street.
This is the scandal of God-made-flesh,
and this is the offence
of the Christian gospel
that finds its
ultimate conclusion in the outrage of the cross,
as God in human form not
only identifies with humanity's sinfulness,
but takes
decisive action to bring about the end of violence
by embodying forgiveness
and reconciliation once, and for all.
So in a world divided on issues of religion,
perhaps we need to
discover, once again,
the scandal of
the Jewish creation story,
and to embrace, once
again, the offence of the incarnation of Christ.
All those of us who would follow Jesus on this path to new creation,
are invited to take up
our own cross and follow him.
And in so doing, we are invited to identify with him,
as he identifies
with us,
and so to share with him
in the renewal
of all things.
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